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dc.contributor.authorRomero Sánchez-Palencia, Carmen 
dc.date.accessioned2016-06-16T07:01:18Z
dc.date.available2016-06-16T07:01:18Z
dc.date.issued2016-06
dc.identifier.issn1799-2591
dc.identifier.urihttp://hdl.handle.net/10641/1194
dc.description.abstractThe artistic manifestations that have taken place in the modern era have been reflected in modernisms. These varied and international aesthetic movements are primarily characterised by not having a single viewpoint or a single way of interpreting or understanding reality. Thus different, yet equally valid manifestations coexist at this time, among which we will highlight Realism and Symbolism. In parallel, we mustn’t forget that the root of the word ‘modern’ has always encompassed the idea of the importance of the past, the embracing or denial of what came before, generating a feeling of superiority.spa
dc.language.isoengspa
dc.publisherTheory and Practice in Language Studies, Vol. 6, No. 6spa
dc.rightsAtribución-NoComercial-SinDerivadas 3.0 España*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/es/*
dc.subjectSymbolismspa
dc.subjectRealismspa
dc.subjectModernismsspa
dc.subjectIndividualismspa
dc.subjectArtspa
dc.titleThe Unity of Plurality: Literary Effects in the 19th and 20th Centuries.spa
dc.typejournal articlespa


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