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dc.contributor.authorGómez Galisteo, Carmen
dc.date.accessioned2024-01-11T10:34:47Z
dc.date.available2024-01-11T10:34:47Z
dc.date.issued2020
dc.identifier.issn2182-9446spa
dc.identifier.urihttps://hdl.handle.net/10641/3687
dc.description.abstractThe immense popularity of Gone with the Wind, over eighty years after being published, is now often tarnished by accusations of rampant racism. The character of Mammy, especially, has been criticized as stereotypical and perpetuating historically inaccurate ideas of the role of black Mammies. With the double-fold intention of giving a voice to black characters mostly silent in Gone with the Wind and counteracting these accusations of a negative portrayal of African-Americans, the Margaret Mitchell Trust commissioned an authorized sequel recounting Mammy’s story, Ruth’s Journey, by Donald McCaig. This article analyzes the image of Mammy Ruth’s Journey presents, and considers whether it has successfully fulfi lled these goals.spa
dc.language.isoengspa
dc.publisherOp. Cit.: revista de estudos anglo-americanosspa
dc.rightsAtribución-NoComercial-SinDerivadas 3.0 España*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/es/*
dc.subjectGone with the Windspa
dc.subjectDonald McCaigspa
dc.subjectAfrican- American charactersspa
dc.subjectSlaveryspa
dc.subjectThe Wind is Never Gonespa
dc.titleMammy’s true story: the characterization of mammy in Ruth’s journey by donald McCaig.spa
dc.typejournal articlespa
dc.type.hasVersionAMspa
dc.rights.accessRightsopen accessspa
dc.description.extent157 KBspa


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